
I recently took potluck, picked a book off the new-title shelf at the library, and discovered
Loren D. Estleman, an author who has won numerous awards for both his westerns, and what his publisher bills as suspense novels. It was enough to be an embarrassment to learn this writer has been in print since 1976, and I’d never taken the opportunity to read any of his works.
Having now read four of Estleman's books, NICOTINE KISS, ANY MAN'S DEATH, EDSEL, and KILL ZONE, it can be said that his main character is the City of Detroit and a cast of denizens who live and work in the city--both good and bad guys. While the backdrop of city and characters stay the same, Estleman uses different storytellers. It is an approach I have not encountered before.
It is from the perspective of Connie Minor, a former newspaper reporter

who is struggling through middle age as an ad man, that the story in EDSEL is told. Minor is hired by Ford Motor Company to lead the publicity campaign for the up-coming E-car, but quickly finds himself caught up in ties between an auto executive, union leaders, and the Detroit mob.
The story in NICOTINE KISS, anchored in Detroit,

but with regions north of the city included, is told by Amos Walker, a private eye who recognizes the vulnerabilities that come with age as he searches to find a friend who saved his life, learning along the way that some men who work for the US government and carrying a federal badge can be the baddest of the bad guys.
In KILL ZONE, the reader follows the plot with Peter Macklin,

a professional hit man who once worked for the Detroit mob, but has become an independent "efficiency consultant." In KILL ZONE, the line between good and bad guy becomes blurry when Macklin “unofficially” works with authorities rescue a tour boat filled with innocents from a gang of pothead "terrorists."
ANY MAN'S DEATH is a who-hired-who-to-kill-whom

puzzler, featuring again Peter Macklin. The plot involves rival parts of the Detroit mob, a rich widow from South America, and the minister of a church who is involved in not-so-saintly activities when away from his pulpit.
Estleman's style of writing is old school. Some reviewers have said he is an heir to Raymond Chandler. The author of 60 novels since his first novel appeared in 1976, the number of awards this Michigan native has received comes close to his book total. A detailed listing of the awards can be found at the Web site,
Author Profile.
An excellent interview can be found at
January Magazine. The man also does more than write novels. His other endeavors is covered at
The Authors.
I found myself comparing Estleman to Lee Child, thinking that this is the way Child might write if he really understood America. While Jack Reacher's comic hero-like actions often prompt me to think, "No way," the actions of Connie Minor, Amos Walker, and Peter Macklin give me pause, followed by the thought, "Yep, that the way it is in this country."
There are those who say the grey area between black and white has grown wider since the World Trade Center incident. It hasn't grown wider, just more apparent. Estleman has understood the breadth of this grey area, and written about for at least a quarter of a century.